Friday 30 September 2016

Beowulf - Friday

Today, we will work on Dialectical journals and focusing on what essays you wish to write. 
 
Unit Learning goal
Students will be able to write a series of short analysis papers looking at one book read during this unit in five different ways.  Each short essay will connect commentary both to DIRECT TEXT EXAMPLES (cited with the correct page number!) as well as to the BOOK or TEXT AS A WHOLE.  Students will choose five from the following:
1. THE AUTHOR AND HER/HIS TIMES: Biographical and historical information pertinent to the novel.  What important family, community, national, and world events helped inform this material? Do not provide an exhaustive biography; merely provide those details that can be directly linked to the novel in a manner that is convincing. This is one of the few sections that will require some outside research, so please remember to cite your source(s).
2. FORM/STRUCTURE, PLOT: How is the novel organized and what techniques are used?  Discuss techniques such as sequencing, multiple, complex, or simple plot, foreshadowing, chapter choices.  Then, provide a BRIEF outline of the events of the plot (no more than 200 words). For some modern novels, the plot may be difficult to describe succinctly – but try to do it anyway. When you discuss structure, remember that you need to discuss the effect of the intentional internal arrangement of parts.
3. POINT OF VIEW/ PERSPECTIVE: From what vantage point does the reader receive the information?  Is the perspective reliable, or is it highly subjective?  How are important ideas received?  Is there an agenda that the narrator seems to have, either consciously or subconsciously? Does the perspective shift, and if so, to what end? Are characters explicit in their dialog, or does on omniscient narrator fill the reader in concerning the larger issues?  Why is the perspective used particularly effective for this novel?
4. CHARACTER: Are each of the characters highly developed, or is most of the writing devoted to one character? Do you learn about them through what is not included in the text?  How is character revealed for the most part? Is through what they say? What they do? What they wear? What they think? The people with whom they associate? What the narrator says about them? How complex are the people that you meet?  Describe the central characters including what you find out about their names, ages, physical descriptions, personalities, functions in the novel – in other words, the responses to the questions asked in the preceding sentence. Also include one short quotation that reveals their character, and explain why the quote reveals character.
5. SETTING:  Where and when does the novel occur?  How many locations are described? Are there connections between the setting(s) and character(s)? How is the atmosphere described?  Are there any important settings that contrast or parallel each other?  Why is this setting so effective in supporting the ideas in the novel as a whole? Conversely, if the setting is ambiguous, what details seem most important and what is the effect of the ambiguity? Why is this story best told in this setting? When discussing setting, remember that it does not only mean the geographical location (topography, scenery) but also the cultural backdrop, social context, and the artificial environment (rooms, buildings, cities, towns) as well.
6. THEME: Identify one major theme (a central or controlling idea) and explicate the theme using specific moments from the text, either paraphrased or directly quoted.  What is the abstract concept being addressed and what is the evaluation of that concept through the text? Are there any “universal” truths are revealed, supported, or challenged by this theme?  Be aware that a theme cannot be expressed in a single word, and with complex works of literary merit the elucidation of a theme requires a full paragraph or more. Also note that the theme is rarely stated explicitly, but rather is implicit. Remember that a theme has TWO (2) PARTS: An abstract concept AND the author’s commentary on  or evaluation of that concept through the text.
7. CRITICAL REVIEW: Find one critical review (not a Cliffs Notes or similar source) of you novel and offer your opinion of the critic’s analysis in two or three paragraphs. Attach a copy of the critical review to your paper, and cite it directly. When expressing your response to the review, be specific in your discussion. If you agree, then explain why and carry the argument beyond what the critic pointed out. If you disagree, provide support for your position from the text.
8. DICTION:  Analyze the novelist’s word choice.  Is the language high or formal, neutral, informal?  Does the novelist employ slang(faddish words)? Colloquialisms (nonstandard regional ways of using language(like someone from Boston asking where you “paah-ked yeh caaah”)? Jargon (language associated with a particular trade)? Dialect (think Tom Sawyer)? Is the language plain?  Flowery?  Concise?  Vulgar?  Dense?  Elevated?  Select a passage that illustrates your observations and discuss this passage directly.
9. SYNTAX (Sentence structure):  Analyze the sentence and phrase patterns.  Are the sentences predominantly simple, compound, or complex?  Are the sentences intentionally long and complex or are they precise and simple?  How is punctuation used?  Select a passage that illustrates your observations concerning syntax, complete the attached Style and Syntax Analysis Chart, and discuss your example specifically.
10. TONE:  What is the author’s attitude towards the subject of the novel?  Discuss how the author creates the tone you identified through a variety of vehicles including plot, characterization, setting, and anything else that contributes to tone. Use specific text examples to support your findings.
11. TITLE:  Why is this title so appropriate for the novel?  Does it have literal or symbolic significance?  Does it actually appear in the novel, and if so, what is the situation? Is the title an allusion, and if so, why would the title include this allusion? Does the title implicitly connect to the theme of the work?
12. MEMORABLE QUOTE:  Choose and type out one quotation that you believe to be significant or noteworthy.  Please explain your choice. Is it an especially moving moment? Is it especially well-written? Why does this quote stand out for you?
13. Symbol or literary device: Choose a symbol or literary device that you believe to be significant to this book.  Discuss how it is used, what ideas it backs up (what it means), and perhaps why the author used it.  Make sure you use examples for the text and you connect the symbol or device to the text as a whole.
Scale/Rubric relating to learning goal:
4 – The student can write on five different views of the book relating them to each other to form one main argument or idea.
3 – The student can write adequate on at least five selections looking at the epic poem in five different ways.
2 – With help from the instructor the student is able to write adequate on at least five selections – from the least above – looking at the epic poem in five different ways.
1 – Even with help from the instructor the student is unable to write on five selections (they maybe able to write on 1-4) looking at the epic poem in different ways. 

Sunday 25 September 2016

Wanderer or the Seafarer Essay


Choose one of the two poems to write an analytical essay. The prompts for each follow.

Seafarer

Choose one of the following and write an essay. You may use your poems and scripts. You will be graded in the following ways:

Thesis statement – 5 points
Order of Development – 5 points
Proof from text – 10 points
Explanation of proof – 10 points

CHOICES

1) The seafarer’s journey is a metaphorical for the state of exile which humans have due to the sin of Adam or Eve; or it is metaphorical for the passage through life the soul takes before it reaches heaven
2) The “Seafarer” is two voices (a dialogue) – the 1st half is a young seafarer, the 2nd half is an older man.
3) Two speeches – one pagan and one Christian written by two different authors.
4) One speaker who has voluntarily exiled himself for the love of God.
5) A Celtic elegy where an exile laments his misfortunes (in this turn – the exile could be due to things that have happened)
6) Interpret the imagery of sea and birds and discuss what it means in relation to the journey.
7) A meditation on life.


THE WANDERER

The short and fleeting period of life, the transitory nature of the world, often appears as a major theme in many works. Looking at symbols, motifs, diction, tone, imagery, write a well-developed essay in which you explore this theme in the Anglo-Saxon poem, “The Wanderer”. You will be graded on the following: hook, thesis statement, order of development, proof from the text and analysis of text (30 pts). Note that just plain summation will lose points from the analysis section of the scoring. You can compare “The Wanderer” to BEOWULF in your analysis.

Friday 23 September 2016

Unit Goal


Unit Learning goal

Students will be able to write a series of short analysis papers looking at one book read during this unit in five different ways.  Each short essay will connect commentary both to DIRECT TEXT EXAMPLES (cited with the correct page number!) as well as to the BOOK or TEXT AS A WHOLE.  Students will choose five from the following:

1. THE AUTHOR AND HER/HIS TIMES: Biographical and historical information pertinent to the novel.  What important family, community, national, and world events helped inform this material? Do not provide an exhaustive biography; merely provide those details that can be directly linked to the novel in a manner that is convincing. This is one of the few sections that will require some outside research, so please remember to cite your source(s).

2. FORM/STRUCTURE, PLOT: How is the novel organized and what techniques are used?  Discuss techniques such as sequencing, multiple, complex, or simple plot, foreshadowing, chapter choices.  Then, provide a BRIEF outline of the events of the plot (no more than 200 words). For some modern novels, the plot may be difficult to describe succinctly – but try to do it anyway. When you discuss structure, remember that you need to discuss the effect of the intentional internal arrangement of parts.

3. POINT OF VIEW/ PERSPECTIVE: From what vantage point does the reader receive the information?  Is the perspective reliable, or is it highly subjective?  How are important ideas received?  Is there an agenda that the narrator seems to have, either consciously or subconsciously? Does the perspective shift, and if so, to what end? Are characters explicit in their dialog, or does on omniscient narrator fill the reader in concerning the larger issues?  Why is the perspective used particularly effective for this novel?

4. CHARACTER: Are each of the characters highly developed, or is most of the writing devoted to one character? Do you learn about them through what is not included in the text?  How is character revealed for the most part? Is through what they say? What they do? What they wear? What they think? The people with whom they associate? What the narrator says about them? How complex are the people that you meet?  Describe the central characters including what you find out about their names, ages, physical descriptions, personalities, functions in the novel – in other words, the responses to the questions asked in the preceding sentence. Also include one short quotation that reveals their character, and explain why the quote reveals character.


5. SETTING:  Where and when does the novel occur?  How many locations are described? Are there connections between the setting(s) and character(s)? How is the atmosphere described?  Are there any important settings that contrast or parallel each other?  Why is this setting so effective in supporting the ideas in the novel as a whole? Conversely, if the setting is ambiguous, what details seem most important and what is the effect of the ambiguity? Why is this story best told in this setting? When discussing setting, remember that it does not only mean the geographical location (topography, scenery) but also the cultural backdrop, social context, and the artificial environment (rooms, buildings, cities, towns) as well.

6. THEME: Identify one major theme (a central or controlling idea) and explicate the theme using specific moments from the text, either paraphrased or directly quoted.  What is the abstract concept being addressed and what is the evaluation of that concept through the text? Are there any “universal” truths are revealed, supported, or challenged by this theme?  Be aware that a theme cannot be expressed in a single word, and with complex works of literary merit the elucidation of a theme requires a full paragraph or more. Also note that the theme is rarely stated explicitly, but rather is implicit. Remember that a theme has TWO (2) PARTS: An abstract concept AND the author’s commentary on  or evaluation of that concept through the text.

7. CRITICAL REVIEW: Find one critical review (not a Cliffs Notes or similar source) of you novel and offer your opinion of the critic’s analysis in two or three paragraphs. Attach a copy of the critical review to your paper, and cite it directly. When expressing your response to the review, be specific in your discussion. If you agree, then explain why and carry the argument beyond what the critic pointed out. If you disagree, provide support for your position from the text.

8. DICTION:  Analyze the novelist’s word choice.  Is the language high or formal, neutral, informal?  Does the novelist employ slang(faddish words)? Colloquialisms (nonstandard regional ways of using language(like someone from Boston asking where you “paah-ked yeh caaah”)? Jargon (language associated with a particular trade)? Dialect (think Tom Sawyer)? Is the language plain?  Flowery?  Concise?  Vulgar?  Dense?  Elevated?  Select a passage that illustrates your observations and discuss this passage directly.

9. SYNTAX (Sentence structure):  Analyze the sentence and phrase patterns.  Are the sentences predominantly simple, compound, or complex?  Are the sentences intentionally long and complex or are they precise and simple?  How is punctuation used?  Select a passage that illustrates your observations concerning syntax, complete the attached Style and Syntax Analysis Chart, and discuss your example specifically.

10. TONE:  What is the author’s attitude towards the subject of the novel?  Discuss how the author creates the tone you identified through a variety of vehicles including plot, characterization, setting, and anything else that contributes to tone. Use specific text examples to support your findings.

11. TITLE:  Why is this title so appropriate for the novel?  Does it have literal or symbolic significance?  Does it actually appear in the novel, and if so, what is the situation? Is the title an allusion, and if so, why would the title include this allusion? Does the title implicitly connect to the theme of the work?

12. MEMORABLE QUOTE:  Choose and type out one quotation that you believe to be significant or noteworthy.  Please explain your choice. Is it an especially moving moment? Is it especially well-written? Why does this quote stand out for you?

13. Symbol or literary device: Choose a symbol or literary device that you believe to be significant to this book.  Discuss how it is used, what ideas it backs up (what it means), and perhaps why the author used it.  Make sure you use examples for the text and you connect the symbol or device to the text as a whole.

Scale/Rubric relating to learning goal:
4 – The student can write on five different views of the book relating them to each other to form one main argument or idea.
3 – The student can write adequate on at least five selections looking at the epic poem in five different ways.
2 – With help from the instructor the student is able to write adequate on at least five selections – from the least above – looking at the epic poem in five different ways.
1 – Even with help from the instructor the student is unable to write on five selections (they maybe able to write on 1-4) looking at the epic poem in different ways. 

Friday!!!

Homework:

Read to line 2750. 

Wednesday 21 September 2016

Wednesday

Today - we will look at your project presentations.

We will also review the vocabulary and discuss the four funerals in Beowulf, particularly looking at the "Lay of the Last Survivor".

Homework: Read to line 2500.  Study your vocabulary.

Tuesday 20 September 2016

Tuesday

Today - we will do words of the day and discuss your projects. 

I have made comments on most of your dialectical journals.  Please read through the notes.

We will also read from 2001 - 2300. 

HW: EDPUZZLE.


Wednesday 14 September 2016

Thursday and Friday

Thursday and Friday: You will be working on a project in groups of two (Ethan and Hailey, Kristal and Dainean, Alex and Sienna).  You should also start outlining the information below.  The projects are due on TUESDAY.

Beowulf Project


Beowulf: Part I – 105 points

Projects:

1) Take the first part of Beowulf and create one of the following a Comic (using comic life maker), a movie, a power point, or a readers theatre (with blocking, different voices/postures for characters, atmosphere, etc).
2) Also include in the project - 3 from each category (characters, literary terms, motifs and/or themes). The rest of the above should be posted on your blog.


Grade Breakdown:

1 – 60 points for a correct and complete (meaning you don’t leave out any important details) recount of Part I of Beowulf in the format of your choice.

2 – 45 points: 5 points for each of the 9 elements (3 from each) in section 2.



Quiz on PART 1 (to line 2000): 

Things to know:
Characters:
Grendel
Beowulf
Hrothogar
Fitela
Sigmund
Wulgar
Heremod
Finn
Hnaef
Hengest
Wealtheow
Unferth
Shield
Halfdane
Beow

Literary Terms and Examples of Literary Terms:
Kenning (3 examples)
Litotes (2 examples)
Flytes (1 example)
Apositive (1 example)
Alliteration (1 example)
Censura (definition)
Symbol (2 examples)
Allusion (3 examples)
Epic Boast (1 example)
Epic Hero (definition and how Beowulf fits it)

Motifs and Themes:
Exile
Kin Killing
Ambush
Wergild and Wyrd
The Role of Kings
The Role of Woman
The Role of Warriors
Paganism vs. Christianity

Digressions:
Know the three digressions and what themes and motifs they back up.

Structure:
Begin to think about Beowulf in a 2 and 3 part structure.

Projects: Take the first part of Beowulf and create either a Comic (using comic life maker), a movie, a power point, or a readers theatre (with blocking, different voices/postures for characters, atmosphere, etc). Also include in the project - 3 from each category (characters, literary terms, motifs and themes). The rest of the above should be posted on your blog.

Grendel's Mom

Today - WOD (word's of the day), then discussion of writing projects, followed by a discussion of the women in the poem, and Beowulf vs. the Monsters.

Finally - 1750 - 2000.


Tuesday 13 September 2016

Tuesday

Today - we need to do words of the day.  Then look at the "Battle at Finnsburg" or the Finnsburg Fragment as it is sometimes called and compare it with the section in Beowulf.   I have notes on the website that discuss this section.  I'll show you where they are.

We also need to discuss lines 1000 - 1500.

Finally, I want to look over the unit goal and discuss what essays students are thinking about writing.

HW: 1500 - 1750. 

Friday 9 September 2016

Beowulf !!!!

Today - we need put words of the day on the board, and then we'll go over your translation.

Finally we'll read lines 1000 - 1500.

HW: Read to 1500.

Has everyone done the QUIZLET? 

Wednesday 7 September 2016

Beowulf Song


 Today - we need to review your dialectical journals.  Finish your translations, and finally put your vocabulary on Quizlet (quiz is two weeks from tomorrow 9/23). 

Homework: Edpuzzle and Quizlet.





Here's a Beowulf song

Wednesday

Today - we are going to discuss lines 500-1000.  Then, I will have you try your hand at translating.

You can use this translatator HERE
or this Old English Dictionary HERE

Finally, I will have you look up your vocab words and put them into quizlet.

HW: Work on Dialectical Journals.

Tuesday 6 September 2016

Today - we are going to go over you dialectical journals and discuss what you read to line 500.  Remember I expect you to reread. 

We will also read from line 500 - 1000.  Tomorrow night you will have a EDPUZZLE video as homework.  Make sure you are registered for EDPUZZLE.

NEW VOCABULARY WORDS:

Bellicose
Gregarious
Surly
Surreptitious
Contumacious
Jollity
Referendum
Conundrum
Sybarite
Gustatory
Regale 

Thursday 1 September 2016

Friday

Vocabulary Quiz.

After you finish the quiz, read Beowulf to line 500. 

HOMEWORK: Two Dialectical Journals before Tuesday.